THE CANON OF FODDER
And ain’t every fodder
of every cannon
dying for someone else’s sins
Sweet Jesus as their model
THE CANON OF FODDER
And ain’t every fodder
of every cannon
dying for someone else’s sins
Sweet Jesus as their model
NEO IS THE NEW OLD
Can you remember
when the con in neo-con
did not stand for convict
BACH IN IRAQ
I should have seen it coming
All the songs are machine guns now
It is not so far from rock, to rap
to rat-a-tat-tat
the beats getting harder and harder
and closer and closer together
Sitting at an Austin stop sign
cars filled with soldiers on each side
In a cross-fire of decibels, I think
“No one is playing Bach in Iraq”
as all three cars shudder and shake
I lift my hands in surrender
they keep firing
PSYCHOTHERAPY or A SIX YEAR OLD LEARNS ABOUT CLOCKS
The difficulty
in taking things apart to see why they tick
can often be
in putting them back together again
BOB MUD IN AUSTIN
(World’s longest mud painting on newsprint)
Bob paints in mud
Brush tickles the earth
She needed a laugh
PATRICIA FISKE’S BIRTHDAY POEM
Thirty thousand times
the earth has spun
And eighty times
Around the sun
Sometimes the sun burns you
Sometimes you burn the sun
A CANADIAN TRADITION
The crazy Canuckness of Kerouac and Cohen
Searching for a road-wise sunrise
And the crack in everything
where the light gets in
Not to follow seems a sin
MOOD DESCENDING A STAIRCASE
What do I do
If daring to share
I bring you down too
The “Lure of the Limerick” book’s at my side
The one I’d sought far and wide
I was sad to discover
Some dirt on the cover
And happily much more inside
All the world’s a stage
And there’s no plays like home